Macro: A Downie Woodpecker and Some Comments on Cameras (two Photographs)
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This bird was none too cooperative in posing for me, it seemed pre-occupied by something else.
It may seem I have strayed over the last few posts from my original topic of macro and close-up photography. With the basics out-of-the-way the next step is to talk about how to get close. In one of the first posts in this series I spoke about the advantages of high megapixel cameras (though too many megapixels will fill your drives in no time). I like the 20-24 megapixel range it seems to work well enough and permits serious cropping. The camera needs to be able to go into manual mode, use detachable lenses and the lenses need to able to be focused manually. You also need control over shutter speed, aperture and white balance. A modest frame rate (the number of shots you can take in sequence is a good to have). I think I have described most modern cameras. In my post on the “rule of reciprocity” I distinguished between full frame and cropped sensor cameras. The distinction is important in close-up and macro photography as the crop factor applies to the aperture (F stop) as well. On a cropped sensor multiply the f-stop by the crop factor (Nikon 1.5) and our wonderfully fast f 2.8 lens is suddenly a f4 lens, and you never even noticed. In my next post I will talk about depth of field and macro and close-up photography.