Posts tagged “Fujifilm Canada

Urban Grunge (Three Photographs)

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In any modern city there are these grungy dark corners. The shapes and colour remind me of some of the older forms of modern art in museums. The composition can add to the inadvertently attractive  grunge.


Old (Two Photographs)

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These were taken outside an antique store. The objects are much bigger, but I have chosen a closer look. When the owners permit, any antique store can make for a wonderful photographic safari, just erase the price tags.


Banal (Two Photographs)

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The word “banal” is more substantive and positive sounding than boring. The banal sights around us sometimes need to be captured by artists not just for historical reasons, but because we forget the complexity of modern life. The hydrant goes down a story underground to meet up with water pipes but all we see is a colourful and functional tool.


Monochrome versus Black and White (Two Photographs)

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I knew I would process this photograph in black and white, but the gradations of grey in the colour/monochrome version were very appealing as well. They make for an interesting study side by side. Given a choice I would normally opt for Black and White as it has more emotional impact. But in this case the issue is highlighting urban design.


Another View of Fall (Two Photographs)

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My favourite camera is the Fuji XT-3, it makes taking a slightly more artistic approach to the world so much easier. It handles like a charm, the 18-55 f2.8 lens is especially good. Sad to say but with the complications of the pandemic I am not getting out enough nor am I taking many photos.


Chiaroscuro in Colour (Two Photographs)

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I showed these same photos in black and a white a week ago. They also work in colour, but in this case the shadows, for example, do not have the same impact as they do in black and white. In my view colour or black and white is often a choice, and both might be just as pleasing.


Chiaroscuro (Two Photographs)

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Chiaroscuro is a term for the use of strong contrasts between light and dark, modeling with light in painting and drawing. I have yet to see a definition that applies chiaroscuro directly to photography. But it does often apply.


What’s It Worth? (Two Photographs)

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I have always wondered why some of the world’s most expensive modern photographs were worth the price. The photographs in this post mimic one such photograph. In an art gallery on seeing a photograph valued in the low six figures, I asked the gallery owner why it was so expensive. I was told it’s not the photo alone that sets the price but the fact that it was printed on special paper with special inks. And while some papers and some inks make a difference I could not see it making that much of difference. Some things are just bluff.


Formats (Two Photographs)

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Besides deciding to shoot in portrait or landscape format, we have to decide what format to cut the photo down to e.g. 8×10, or 4×5. There may be a number of factors at play over and above the subject matter. But the one trap is filling the frame in camera in such a way that you cannot format the photograph in post production, the subject fills the screen. I make this mistake every so often and the portrait shot here is one case of that.


Just There (Two Photographs)

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Studio and professional photography often involve finding a location for a subject to be shot in. Just that step can take a lot of time and effort. But there is almost always something “just there” on my walks, that rises to the level of classic photographic art. I am not alone, I seldom go a day in good weather without seeing another photographer on the hunt.


Flora in the Concrete Jungle (Two Photographs)

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On a walk that led me into a kind of industrial park, I found this bit of nature. I thought it would look good as a black and white photograph, but it turns out the colour, after a little work, was not so bad either.


Window (Two Photographs)

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These two photographs, or edits of the same image are designed to make a specific point. I should not have to squint to figure out what the subject is in any photograph. But I often have to and that’s a problem.


Who Let the Bird Out (Two Photographs)

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These are two more photographs of things found on one of my walks. It’s a big question if this will be something I will be able to do this summer. Covid -19 has really put a brake on a lot of the best of life. Yes, the title applies to the second photograph).

 


Intimate Urban Landscape (Two Photographs)

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I do not remember when I first heard the phrase “Intimate Urban Landscape” used to describe photos of bits and pieces of what we see in the urban landscape. I like it, it captures the subject without making us misuse titles like street photography or architectural photography.


Natural Abstraction (Two Photographs)

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This flower struck me as quite unique and I did my best to capture what I saw. In circumstances like this its not always clear others will have the same appreciation. That is one of the risks of the photographic art.


Street Glass (Two Photographs)

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I found these as they are. They made me look twice and that is my objective, to shoot photographs that make people look (often popularly called “impact”). There is a lot of “language” in photography, some is not entirely clear to everyone and I have seen several dictionaries on line, none of them complete.


A Walk (Two Photographs)

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I have walked this route more times than I can count, and taken almost as many photos. Today I’m wondering when I will get back there with my camera. We live in uncertain times. All is well at my end and I hope it is at yours as well.


Windows (Two Photographs)

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There is an endless number of variations on how windows (with or without reflections) make for great photographs. Depending on how you process window photos you will be surprised at what is in the reflective portions. Sometimes you can mix the surreal, abstract and reality in one shot without compositing, often just by adjusting shadows and contrast.


Texture (Two Photographs)

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Texture has many meanings in photography; it can refer to mood, background or even the subject.  I try to keep this in mind when taking and processing photos, as it’s an element I can make creative use of. I chose these photos because texture is front and centre.


A Creative Twist (Two Photographs)

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The first thing I learned about taking photographs was to take several photographs, one in a normal fashion and the others with a twist. Now years later, when I see something interesting I look for a perspective with a twist, it works more often than not.


Walls and Patterns (Two Photographs)

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Patterns are really interesting ideas for photography; they can be seen everywhere from flowers to walls. On my walk about with my camera, patterns sometimes seem to jump out of the confusion of the city.


Awesome (Two Photographs)

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Building owners are always looking for good pictures of their buildings be they drawings or photos. There certainly are many ways of making even the meanest of buildings impressive, usually this involves avoiding shooting ugly surroundings, choosing a particular perspective, or framing a part of the whole.


Concrete and Flora (Two Photographs)

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Here minimalism is taken up a notch to add in trees and foliage. In my view it is no less stark, no less dramatic and makes for some interesting photography. There are many varieties of photography and I urge people I know to try new things, it can’t hurt.


Looking Up (Two Photographs)

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There is a photographic saying that you should look up, down and around and you may be surprised by what you see. Walking the streets with a camera requires a real wandering eye. I look for the unexpected, something different and am often surprised when I see it.