Posts tagged “Fujifilm Canada

Imagination-6

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Someone went and ruined the Monty Hall trick, made a fool of the shell game, in short what were they thinking?


Imagination-4

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Is it a backdoor, a side door or the entrance to a house? There is something odd here that tests my modest understanding of modern architecture.


Imagination-2

 

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I never liked the four walls of an office, and still have a hard time sitting for a long time. Seeing these office windows made me realize nothing has changed, I still feel the same way.


Harsh

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It appears to be too expensive to avoid harsh brutal architecture these days. I am seeing more and more modern brutal architecture. At least in this view there is mix of media (steel and concrete), a window or two would have been nice.


Looking Down

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One of my approaches to photography is to constantly look up, down and around for things to shoot. Some perspectives can be a little vertiginous, even if we cannot spot exactly why. In this photo there is a slight tilt to the plane of the photo and I hope it adds to the mood.


Where

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One of things I like best about street photography, like the photo above, is that the question does not arise as to where but what. The idea is that a photograph grabs the attention by making the observer think.


A Personal Point of View

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I keep reading about how a photographer should create his own style. Well, I doubt I will ever be a Newton, a Penn or a Halsman, however much there work inspires me. However, I’m quite happy to keep trying new things, new techniques, and having fun. I heard a Pro say he quit to be an amateur photographer. I am not one for titles but it is nice to be your own compass.


Something There

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I cannot help but think that there is some illicit treasure behind that clapboard. It’s a desolate back alley sight that intrigues, simply because there is no obvious explanation. Sometimes photography should let our minds wander and reach their own conclusion, it’s why some caution against explicit captions.


Interruptions (Two Photographs)

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Our minds, if not our eyes, see patterns and interruptions in them. It’s the opposite of the leading lines that lead the eye to a subject. In the case of irregularities or broken lines there is a slight reaction that can help a photo and its composition make a mark on the viewer.


Local and Surreal (Two Photographs)

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At some point we all take well lit photographs of skyscrapers, they have great potential. Shoot a bracket of shots at different exposures and use HDR, the clouds move and often the software compensates with interesting patterns. I use Photoshop and not one of the stand-alone HDR tools for this, and it works very well.


An Old Complaint (Two Photographs)

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It used to be that the phrases “time is money” and the “customer is always right” had meaning. We didn’t toss things out that worked for other things just because they were shiner and newer. Clients were not made to work harder for a not quite the same result. Help lines and complaints were listened to and not downplayed. But as corporations grew, seeing innovation as a mark of progress and their clientele grew into large numbers, only the corporation’s time mattered, only the corporation’s concerns mattered and those who had problems became whispers in the dark talking to help centres that could do nothing but parrot the corporate line.

At the end of 2021 unless WordPress keeps the old editor I will end this blog. I have better things to do than rail at a windmill.


The Sweep (Two Photographs)

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You don’t have to read a lot about photography before you hear about how leading lines lead the eye into your composition. Taking that one step further, the leading line can be the subject. Think of majestic staircases or vines like the photos here.


The Alley (Two Photographs)

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Alleys have a special place in the urban environment. In many cities they provide great opportunities for photography and are such popular subjects that it is rare to be the only person in an alley with a camera.


HDR Photography (High Dynamic Range Photography)

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High Dynamic Range Photography (HDR) is where you take several shots of your subject with different exposures, a few marginally under and over, no more than one stop. Then you combine them in software designed for HDR. I have tried many programs but I like the results from Photoshop’s HDR functions. I use this technique often with my Fuji XT-3 camera, when I am walking around town. As a result I get better exposure, better colour and better detail.


Numbers (Two Photographs)

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I have done more than one series on numbers, I might collect them into gallery. Numbers are a great theme for street photography, they may be the focus of the shot but the frame is often just as interesting.


Urban Grunge (Three Photographs)

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In any modern city there are these grungy dark corners. The shapes and colour remind me of some of the older forms of modern art in museums. The composition can add to the inadvertently attractive  grunge.


Old (Two Photographs)

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These were taken outside an antique store. The objects are much bigger, but I have chosen a closer look. When the owners permit, any antique store can make for a wonderful photographic safari, just erase the price tags.


Banal (Two Photographs)

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The word “banal” is more substantive and positive sounding than boring. The banal sights around us sometimes need to be captured by artists not just for historical reasons, but because we forget the complexity of modern life. The hydrant goes down a story underground to meet up with water pipes but all we see is a colourful and functional tool.


Monochrome versus Black and White (Two Photographs)

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I knew I would process this photograph in black and white, but the gradations of grey in the colour/monochrome version were very appealing as well. They make for an interesting study side by side. Given a choice I would normally opt for Black and White as it has more emotional impact. But in this case the issue is highlighting urban design.


Another View of Fall (Two Photographs)

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My favourite camera is the Fuji XT-3, it makes taking a slightly more artistic approach to the world so much easier. It handles like a charm, the 18-55 f2.8 lens is especially good. Sad to say but with the complications of the pandemic I am not getting out enough nor am I taking many photos.


Chiaroscuro in Colour (Two Photographs)

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I showed these same photos in black and a white a week ago. They also work in colour, but in this case the shadows, for example, do not have the same impact as they do in black and white. In my view colour or black and white is often a choice, and both might be just as pleasing.


Chiaroscuro (Two Photographs)

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Chiaroscuro is a term for the use of strong contrasts between light and dark, modeling with light in painting and drawing. I have yet to see a definition that applies chiaroscuro directly to photography. But it does often apply.


What’s It Worth? (Two Photographs)

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I have always wondered why some of the world’s most expensive modern photographs were worth the price. The photographs in this post mimic one such photograph. In an art gallery on seeing a photograph valued in the low six figures, I asked the gallery owner why it was so expensive. I was told it’s not the photo alone that sets the price but the fact that it was printed on special paper with special inks. And while some papers and some inks make a difference I could not see it making that much of difference. Some things are just bluff.


Formats (Two Photographs)

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Besides deciding to shoot in portrait or landscape format, we have to decide what format to cut the photo down to e.g. 8×10, or 4×5. There may be a number of factors at play over and above the subject matter. But the one trap is filling the frame in camera in such a way that you cannot format the photograph in post production, the subject fills the screen. I make this mistake every so often and the portrait shot here is one case of that.